Kulturgüter in Südtirol

Rete Civica dell’Alto Adige - Il portale della Pubblica Amministrazione

I cento titoli

Ed. 1/3 + 2 A.P.

Installation bestehend aus zwei schwarzen Koffern aus patinierter Bronze und einem Kupferdraht mit 101 Anhängeschildchen aus Papier. Statt des Besitzernamens tragen die Schildchen einen mit schwarzer Tinte geschriebenen Titel, eine Jahresangabe von 1968 (Geburtsjahr der Künstlerin) bis 2068 (insg. 101 Jahre) und teilweise Technik und Maßangaben. Jedes Jahr wird das Etikett mit der laufenden Jahresangabe an einen der beiden Koffer befestigt, während die anderen Schildchen an einem an der Decke befestigten Kupferdraht hängen.

Die 101 Titel:

- THE HUNDRED TITLES
1968 /
I CENTO TITOLI
1968

- PRIMITIVE SCENE OF MEMORY
1969

- DANCING ITS LIVE
1970 /
DANCER SA VIE
1970

- THE GREAT INTERNAL FROST
1971
Miscellaneous frozen goods

- TITLES, BRIEF THOUGHTS
AND SHORT IDEAS
1972

- I VENTI PIU FORTI DEL NORD
1973
Fans

- STUDIES FOR THE INFINITE
TUNNEL
1974
Pencils, dry grass, paper

- RECOVERY FOR THE GREAT VOID
1975
Oxygen and plastic

- 0° CONNECTION WITH INFINITY
1976
88 copper and wood plumb-lines

- THE LONGEST ECHO
1977
Stone and powder

- STUDIES FOR STUDYING
1978
Pencil on paper

- THERE IS ONLY ONE STEP
THAT SHE WOULD PLEASANTLY MADE
FOR ALL THE REASONS YOU CAN GUESS
1979
Battery, tape

- PARIS ON THE 28-11-95
AN UNKNOWN
1980

- SOMEWHERE ON THE 18-12-95
AN UNKNOWN
1981

- AMSTERDAM ON THE 29-12-95
AN UNKNOWN
1982

- A LONELINESS PADDED WITH
REALISATIONS
1983
Shingles and gelatin

- TROPHY WITHOUT MEMORIES
1984

- TO A SELF WHO IS NOT WORTH
A THING, TO ANOTHER ONE
WAITING TO SHOW ITSELF
1985
Invisible performance

- PERFORMANCE BY MY SHADOW
AND ME
1986
Virtual shadow video

- A FEMALE CHAMPION
OF UNSOLVABLE ANSWERS
1987

- OBSTINATELY CHOOSING NOT TO
CHOOSE, CHOOSING TO DRIFT
AND DRIFTING ON
1988
Miscellaneous edges and borders for scale models

- GOING TO HELL IN ORDER TO
KEEP CURSING
1989

- DAYS OUTSIDE OF MEMORY
ONE AFTER THE OTHER
1990
Virtual agenda

- TEARS CRYING FOR NOT BEING
1991

- LUI TOUT FEU ET FLAMME
ELLE TOUT BOIS ET PAILLE
1992
Wood and straw

- ACCOMPLISHING DESIRE
OF INDEFINITE DURATION
1993
MIXED and indefinite media

- PROMISES THAT SELF-DESTRUCT
WHILE REALISING
1944

- DESIRES CONTAINIG THE
POSSIBILITIES OF ALL SITUATIONS
1995

- THE BLOSSOMING OF ANONYMITY
1996

- ALWAYS THE IMPOSSIBLE
AS STUPID AS REALITY
1997

- FLAT BUT FORTHCOMING DESIRE
1998
Mirror and thread

- HOLLYWOOD DOES NOT WANT ME
1999
Carrots, mirror

- THE SAND CELL
2000
Sand, suede

- PARIS ON THE 17-06-97
AN UNKNOWN
2001

- AN ACHIEVEMENT EXHAUSTED
BY ITS OWN NECESSTY
2002
Without form or technique

- L'APPUNTAMENTO
2003

- A POSSIBILITY INDICATED ANS
EXILED TO THE CONFINES
2004

- FROM MUTENESS TO ECHO
2005

- A GREAT LOVE THAT DOES
NOT EXCEED A GREAT SILENCE
2006

- A PERFORMANCE THAT YIELDS
MY PLACE TO MY SHADOW
2007

- AN ACHIEVEMENT EXHAUSTED
BY ITS OWN NECESSITY
2008
Without form or technique

- THE COMING THEYS, ALWAYS
ALREADY GONE, STILL HERE
2009

- A SUITCASE THAT PACKS
ANS UNPACKS ITSELF
2010
Logics of wondering

- THE INTENSE TIREDNESS OF
THE ONE WHO WEARS HERSELF
OUT SEDUCING
2011
Young girl

- HE WILL BE, HE IS
2012

- LOCATED IN THE VOID,
SHE DREAMS OF BEING THE
ORIGINAL VERSION
2013
Images from oblivion

- THE PASSING PAST
2014
Fabric, pencil, eraser, list of titles,
swimsuit, resin, cardboard suitcase,
cushion, mask, brushes, mattresses,
camera, phone, shellack


- THE SILENCE YEARS
2015
Digital video

- THE REMEMBERANCE OF
A LONG SILENCE
2016
Ghost track

- DURING MY STAY BETWEEN THE
ENCLOSURE AND SPACE, I NEVER
RECEIVED A VISIT FROM ANYONE,
AND NO ONE IS WAITING FOR ME
OUTSIDE OR IN
2017

- TUNNEL AIRLINES
Thursday, October 2009
2018

- 50 DEFINED MEASUREMENTS
FOR
50 UNDEFINED SPACES
2019

- DJINNS
2020
Corn, clay, neon light

- SOMETHING HAPPENED
2021

- WHEN I FIRST CAME TO
TOWN
2022
Metal, skaÏ, piercing
45x40x230 cm

- TIME SNARES
2023
Nets, salt, milk

- DOUBLE BIND
2024
45 concrete coils

- MISTER, MRS, MISS
TATIANA TROUVÉ
2025

- INTRANQUILLITY
2026

- 4 BETWEEN 3 AND 2
2027
Sand, wax, oil and herbs

- EXPANSION OF A CLOSURE
2028

- REMANENCE
2029

- FROM HERE I DISAPPEAR
2030
Plexiglas, neon tube, metal, mirror
Variable dimension

- 350 POINTS TOWARDS INFINITY
2031
Plumb-lines, magnets, colle
450x950x950 cm

- INCHOATIVITY: THE ROOM IS
CLOSING DOWN 2009
2032
Concrete, metal, leather
variable dimensions

- THE ANTECHAMBER
2033
Metal, wood, varnish, neon tube,
Glass, bronze, rubber
350x570x625 cm

- I RESIDENTI
2034
Plexiglass copper, brass, aluminium,
Neon
Variable dimension

- INTERWORLDS
2035
Plexiglas, metal, brass,
Variable dimension

- 2352 cm
2036
Concrete, bronze
87x48x40 cm

- NOTE FOR A CONSTRUCTION
2037

- I TEMPI DOPPI
2038
Wood, bronze, copper, light, glass,
salt, paint, metal, […]
145x85x136 cm

- IMPLOSIONS
2039
Plexiglas, […]
110x30x65 cm

- DESIRE LINES
2040
Bronze, concrete, metal

- THE LAG TIME 2063
2041

- ONE DAY FOR ETERNITY
2042

- THE LABYRINTH’S TRAJECTORY
2043

- TOMORROW IS A MILLION
YEARS
2044

- CRATER
2045

- SAY GOODBYE TO THE
WIND
2046
Fans and magnetic tape

- QUESTIONNAIRE
2047
Paper and ink
43x62x74 cm

- IL GRANDE RITRATTO
2048
Hair, cells, concrete

- THE LAST WORLD
2049
Snow, glass, sand

- LES CHOSES
2050
Metal, wax, bronze, copper, wood,
clay, rubber, cotton, lane, whiskey, popper
and charcoal

- RENDEZ- VOUS AVEC L'IMPREVU
2051

- DOPPELGÄNGER
2052
Stone weigth
53x23x60 cm 53x23x60 cm

- NIGHT FOR STRIKE
2053
Beer, cigarettes and cushions

- SUD OF NOWHERE
2054

- L'OPERA INVISIBILE
2055
Bleach, paper

- L'ODORE DEL SOLE
2056
Holes, of variable diameters, glass,
Wax, water

- GLASS BORDERS
2057

- CARNET DE CONTRARIETÉ
2058
Paper
86x98x21 cm

- FLOATING SPACES
2059
Footprint, impression, imprint,
thumbprint
variable dimension

- THE PLACE OF ALL VIRTUALITIES
2060

- THE MUSEUM OF FEELINGS
2061
Wallpaper, velvet, chloride, tar,
nicotine, copper

- LA MISURA DELLE COSE
2062
Pencil cutter

- A PATH LEADING FROM A
PLACE WHERE NO ONE COMES
TO A PLACE WHERE NO ONE
GOES
2063

- SHADOW SEASON
2064
Plaster and lies

- IL MONDO DELLE VOCI
2065

- LA PROMESSA DELLA
LINEA
2066
Copper, metal, plexiglass, hygrometer,
[…]

- CENTO ANNI DI SOLITUDINE
2067

- THE FINAL VERSION
2068

Objektbezeichnung:
Installation
Inventarnummer:
2341
Hersteller:
Trouvé, Tatiana
Sammlung:
Sammlung Museion
Datierung:
2013
Material:
Bronze, Kupfer, Papier, Farbmittel, Tinte
Technik:
patiniert, gegossen, eingehängt, geschrieben
Institution:
Stiftung MUSEION. Museum für moderne und zeitgenössische Kunst Bozen
Maße:
variable Höhenmaße, Koffer 1 Höhe 63 cm, Breite 72 cm, Tiefe 23 cm, Koffer 2 Höhe 57 cm, Breite 72 cm, Tiefe 23 cm, Gewicht 200 kg, Etikett (je) Höhe 5.5 cm, Etikett (je) Breite 13 cm
Historische-kritische Angaben:
"[…] Das Werk setzt 1968, im Geburtsjahr der Künstlerin, an und wird 2068 enden. Das Konzept von Tatiana Trouvé sieht vor, dass die beiden verschlossenen und überaus schweren Koffer bis dahin durch Raum und Zeit reisen. Die zeitliche Dimension des Werkes nimmt bei jeder Präsentation zu, wie auch die Bedeutungsebenen sich erweitern – sie schwanken und öffnen sich unendlichen Möglichkeiten. I cento titoli nimmt einen bestimmten physischen, aber auch mentalen Raum ein; es hat sein Publikum hier und jetzt, aber es richtet sich auch an die zahllosen und nicht definierbaren BetrachterInnen, die es im Laufe der Jahre noch sehen werden." (Broschüre "Tatiana Trouve - I Tempi Doppi", Museion, Bozen 2014, S. 11)

 

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